SMA Baby Milk.
Directed by Stevie Russell.
We shot on an Epic using Zeiss Masterprimes and flared every shot with a light pointing down the lens.

Production Company - Sonny London.

Life Of Crime
Episode 1
Set in 1985. We set out to emulate the look of the time.

For this scene we had a couple of practical flourescents set up in the ceiling and some 4K lamps outside the windows at the end of the room. But once the art dept. appeared with the food service area with heat lamps (on the left in this picture), we decided to turn off the flourescent lights overhead and go with a dimmer, sadder look.

Shot on the Alexa with Cooke S4 lenses.

Colourist Gary Curran at Screenscene.